what remains?
installation at Gallery 400
University of Illinois at Chicago
Rather than offering supplemental context next to the artifacts, I left them out
on their own. Without context, this installation was a stage for revision.
There were other fragmentations in the room, like two chairs facing one another, echoing Action Potential. Or the prompt to collectively listen, echoing a performance listening stage.
This installation was a poem for time-based works that drift into some untouchable place. This installation was a poem for the impossibility of knowing if we’ll remember the present moment.